Answers
We have the most political power, the most respect, and face the least racism. The much larger black latino diaspora faces more racism but still looks to the future. Like Hugo Chavez for example.
You have made a very thoughtful argument. Your insight is much appreciated. All of us, regardless of color, can benefit from your wisdom.
a fantabulously exciting trailer for THE BIG FILM! Be afraid....
Today at 1:55 pm the Modesto Fire Department responded to reports of a house on fire at 1608 College Ave. between Granger Ave. and Briggsmore Ave ...
for why The New York Times had a right to publish the Pentagon Papers, Justice Hugo Black composed one of the most famous paragraphs in Supreme ...
FROM THE MAJORITY SUPREME COURT OPINION IN KOREMATSU V.S. UNITED STATES IN 1944
(JUSTIC HUGO BLACK)
...[Detention] of those of Japanese origin was deemed necessary because of the presence of an unascertained [unknown]...
1- The Majority Supreme Court.
2-The main difference is the necessity for Black and the lack of necessity for Murphy.
3-No
4-Black was for the national security, and Murphy for the rights of the individual.
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The extraordinary story of a man who bestrode his era like a colossus, Hugo Black is the first and only comprehensive biography of the Supreme Court Justice of thirty four years, (1886-1971). Once a member of the Ku Klux Klan, Black became one of the most celebrated and important civil libertarians in the history of the United States and the chief twentieth-century proponent of the First Amendment. Newman presents us with the long odyssey of Hugo Black, capturing the man as he was-a brilliant trial lawyer, the investigating senator called by one reporter a walking encyclopedia with a Southern accent,and the wily politician and astute justice who led the redirection of American law toward the protection of the individual.
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Enthused by 3-D, Scorsese Sees in a New Dimension
Thelma Schoonmaker, Martin Scorsese's longtime editor, warmly greets a reporter outside their Manhattan offices ahead of a screening of Scorsese's new 3-D fairytale, "Hugo."
Around the corner is Schoonmaker's editing bay, where she and Scorsese keep Turner Classic Movies running silently on a nearby screen while they work. Inside is a screening room where Scorsese often runs old films, familiar classics and newfound gems. At one time, they gathered with Elia Kazan every Saturday to watch one of his films. Large movie posters dot the halls: "The Third Man," ''Black Narcissus." Directions to the bathroom are given as "across from Marlon Brando."
It is, in short, a cinephile's dream — a description that could also apply to the magical "Hugo." The film, adapted from Brian Selznick's award-winning illustrated book "The Invention of Hugo Cabret," is about a 12-year-old orphan, Hugo (Asa Butterfield), who lives in a 1930 Paris train station. But it's also — as so many of Scorsese's films are — a movie about movies.
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